Kinya
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When you step into a living room with a high-rise pattern, you can't help but be attracted by the chandelier hanging in the center. It is neither a flamboyant traditional palace lantern, nor a cold and capable modern industrial style, but a new Chinese style work that combines the implication of oriental culture with the simplicity of contemporary aesthetics. This style is not only a tribute to the aesthetics of ancient Chinese architecture, but also a sublimation after the blending of the times, which properly responds to the dual demands of high-end residential users for cultural connotation and spatial texture.
The skeleton is made of pure brass and is made through dozens of manual hammering processes. Every turning and arc reveals the painstaking efforts of the artist. With the passage of time, the copper surface will gradually form a unique oxidation texture, so that it has more and more collection value. Different from ordinary alloy materials, which are prone to rust and fall off, the new Chinese chandelier has stable and durable physical properties, which not only ensures the beauty, but also provides convenience for daily cleaning and maintenance.
to meet the needs of large-area open layout, this lamp especially adopts the way of scientific distribution of light sources-the core luminous body is used as the main lighting force, supplemented by the surrounding soft light cover to render the atmosphere, and can also be matched with wall lamp or floor lamp for secondary supplementary illumination when necessary. No matter how high the floor of the house is, it can be evenly covered, soft and not dazzling. At the same time, a variety of diameter specifications are provided for selection, so that each residence can find the light and shadow that best suits its own temperament.
Under the background of this era that emphasizes individuality but refuses excessive modification, "complexity" is no longer the standard measure of luxury. On the other hand, for those products inlaid with crystal, gilded and painted with silver, this new Chinese chandelier shows a completely different self-confidence posture-it uses clean geometric forms to construct elegant outlines, abandons redundant decorations but does not show monotony at all, on the contrary, it can better set off the owner's inner cultivation and attitude towards the quality of life.
More and more designers begin to pay attention to how to transform traditional cultural elements into spatial language suitable for the current lifestyle. In the practice of such projects, we can see that this chandelier often plays an important role in guiding the visual focus. It not only lights up the soul of a room, but also makes the whole room exude a strong humanistic atmosphere. Whether it is placed in front of a modern minimalist background wall or hung at the intersection of wooden beams, it can always blend naturally without any sense of disobedience.